Jimi Hendrix-songbook by Unknown

Author:Unknown
Format: epub

Figure 30 - Verse The same chord figure played in measures 11-14 of the intro (E719-G-A) is used for the first six measures of the verse. Following the stop me- figure in measure 7, measure 8 features the use of a sliding octave figure, followed by an E minor pentatonic melody doubled by the bass. 7 NCES ۹ i — EH ; z El іш £ 1 — 2 _ = ==; وو‎ P : == سح‎ + = ==

Figure 31 - Guitar Solo The end of verse two features a three-measure section—moving from A to В to D 一 designed to carry the listener back into the E minor tonality of the solo section. In the first measure, the single-note melody is based on E major pentatonic (E-F#-G#-B-C#) and, as it is played over A, alludes also to A major pentatonic (А-В-С!-Е-Е?). In measures 2 and 3, Jimi moves back to E minor pentatonic. The guitar solo is based on а combination of E Mixolydian (Е-Ғ%-0%-А-В-С3-О) and Е Dorian (Е-Ғ%-О-А-В-С%-0). Notice that the only derence between these two scales is the third scale degree: E Mixolydian is a major mode, and includes the major third, G#; Е Dorian is a minor mode, and includes the minor third, б. Jimi's phrasing is a bit quirky and unpredictable here, as he makes allusions to Indian (as in Far East) classical music. The Octavia, an octave-splitting device designed by gadget guru Roger Mayer, is heard in ай ofits glory on this solo. To recreate the solo on this CD, | was lucky enough to acquire a vintage Octavia. м м nm ma. me (Ез) арените (ES) ma о» ез وص سن‎

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